Move Ahead Three Spaces - An Exercise
Advancing the narrative by jumping forward in time provides a unique opportunity to reposition your characters within the overarching story, offering a chance to showcase the consequences of their actions. It’s akin to the closing of a curtain between acts in a theatrical performance, allowing for a shift in narrative styles, settings, and the progression of seasons.
The beauty of this narrative technique lies in the reader’s ability to intuitively bridge the temporal gaps, especially when overarching patterns remain discernible. Readers, familiar with the rhythms of life, education, or work, can easily infer what transpires in the unchronicled weeks or months. For instance, in a magical school like Hogwarts, we don’t need to witness every weekly class or mundane occurrence because we possess a collective understanding of how educational institutions operate.
However, it’s important to note that the decision to skip scenes should never be arbitrary. If doing so has little discernible impact on the story’s development, it serves as a clear indicator that those scenes might be superfluous and better left on the cutting room floor.
To further streamline your narrative, consider amalgamating scenes and settings where applicable. For instance, if your character needs to engage in a heated argument before embarking on a hiking adventure, merge these elements. The argument can unfold against the backdrop of a challenging trail, lending depth to the characters’ emotional journey and minimizing unnecessary scene transitions.
Incorporate thoughtful transitions into your storytelling. These serve as a compass guiding readers through the temporal jumps. Whether it’s a subtle change in the weather, a shift in the characters’ appearance, or a brief reflection on the passage of time, such cues help create a seamless narrative flow, ensuring that readers never feel disoriented when navigating through the story’s temporal landscape.
In conclusion, the art of skipping forward in time within a narrative should be wielded with precision and purpose. It provides an effective tool for managing pacing, maintaining reader engagement, and emphasizing the critical elements of your story while allowing for a dynamic and immersive storytelling experience.
The Exercise: Consider the Following: Consequences of Skipping: How will skipping ahead in time impact your characters? What important developments, changes, or growth might occur during this skipped period?
Character Reflection: What significant events or moments might your characters reflect on when they resume the story after the time skip? How have these moments shaped them or their relationships?
Transitions: What transitional elements or cues will you use to smoothly guide readers through the skipped time? Think about how you can create a seamless transition so that readers can intuitively grasp the changes that have occurred.
Maintaining Suspense: Are there unresolved questions or plot points left hanging before the time skip? How will you maintain suspense and keep readers engaged even as you jump forward in time?
Character Arcs: Explore how the skipped time impacts the character arcs. What internal changes or growth might occur during this period? How will it affect their goals and motivations?
Foreshadowing: Think about how events or developments during the skipped time can foreshadow future plot twists or conflicts. This can add depth and anticipation to the story.
Reader Engagement: Consider how to keep readers engaged during the skipped time. Are there unresolved subplots or mysteries that can be introduced before the skip to maintain intrigue?
Parallel Storylines: Explore the possibility of parallel storylines. While skipping time for one set of characters, you could delve into the experiences of other characters during that period, providing a different perspective on the narrative.
Emotional Impact: Reflect on the emotional impact of the time skip on both characters and readers. What emotions are at play during the skipped time? How can you convey them effectively?
Now, list three events the reader might anticipate will happen in your story, such as a regional competition, prom or a wedding. Could you feasibly skip ahead to one of them?
What do you think of this exercise? Throw a comment at me down below. I would love to hear your thoughts.
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